of more thought than feeling.
Nakamatsu, a superb musician, plays the First Concerto with perhaps too much artistry, while Kasman is as brash as the Second Concerto he plays. There is more genuine feeling in the six-minute Elegy than in the hour of Piano Concertos. The narration, taken from Anne Frank's Diary and read by the composer's daughter, is touching, but it doesn't connect firmly with the music, so the version without narration seems more of an artistic success. Throughout the disc, the playing of the orchestra (from Orange County, California) is spectacular and the sound quality quite vivid. It's an impressive production (and a very long
CD at 77:59), but the overall artistic result is a bit disappointing, except...
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