a lovelorn singer (Marilyn Monroe) falls for Josephine, an ancient playboy (Joe E. Brown) falls for Daphne, and a mob boss (George Raft) refuses to fall for their hoax! Nominated* for 6 Academy AwardsÂ(r), Some Like It Hot is the quintessential madcap farce and one of the greatest of all film comedies (The Motion Picture Guide).  (less)

a lovelorn singer (Marilyn Monroe) falls for Josephine, an ancient playboy (Joe E. Brown) falls for Daphne, and a mob boss (George Raft) refuses to fall for their hoax! Nominated* for 6 Academy Awards(r), Some Like It Hot is the quintessential madcap farce and one of the greatest of all film comedies (The Motion Picture Guide). *1959: Director, Actor (Lemmon), Adapted Screenplay, Cinematography (B&W), Art Direction (B&W), Costume Design (B&W, winner)  (less)

becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.  (less)

becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (GARY MERRILL), her playwright (HUGH MARLOWE) and his wife (CELESTE HOLM). Only the cynical drama critic (Oscar winner GEORGE SANDERS) sees through Eve, admiring her audacity and perfect pattern of deceit. THELMA RITTER and MARILYN MONROE co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.  (less)

a lovelorn singer (Marilyn Monroe) falls for Josephine, an ancient playboy (Joe E. Brown) falls for Daphne, and a mob boss (George Raft) refuses to fall for their hoax! Nominated* for 6 Academy AwardsÂ(r), Some Like It Hot is the quintessential madcap farce and one of the greatest of all film comedies (The Motion Picture Guide). *1959: Director, Actor (Lemmon), Adapted Screenplay, Cinematography (B&W), Art Direction (B&W), Costume Design (B&W, winner)  (less)

pair hits rocky waters when a manipulative detective, an over-aged, over sexed millionaire (Charles Coburn) and the entire men's Olympic team try to put an anchor in their marriage-minded mischief. It's a wild and joyously funny ride across the Atlantic as our bathing beauties plan and plot a way to land their men.  (less)

second rumor gets Margaret thinking after Charles mentions how a Los Angeles skyscraper had a time capsule built into its cornerstone. Although he thinks the idea is insane, Margaret decides to make a time capsule of her own to bury in camp. “We could put something in the ground to remind people we were here,” she suggested. With Hawkeye’s help, items from around camp were gathered up for the capsule: a chopper’s broken fan belt, Radar’s teddy bear, one of Henry Blake’s fishing flies, a bottle of Charles’s cognac and Father Mulcahy’s boxing gloves. And finally, the gang of the 4077 hears the announcement they’ve been waiting for: “This is Robert Pierpoint speaking to you from nearby Panmunjom....  (less)

a seductive starlet (Marilyn Monroe) moves in upstairs. Keeping his marriage vows in the face of her flirtations proves tough when challenged by the notorious "seven year itch." Faced with this provocative problem, he's victim to an outrageous mating dance filled with hilarious comedy!  (less)

relations, Monroe's off-screen notoriety in 1957 made this a directorial nightmare for Olivier, who never bursts out of his stiff-collared finery as the Carpathian Prince Regent, who's smitten by Marilyn's innocent, unpolished candor. Of course, she's actually smarter than the monocled monarch, at least in her sensible handling of his stuffed-shirt diplomacy, so it's easy to forgive Terence Rattigan's script (from his play The Sleeping Prince ) for favoring pomp over circumstance. The comedy percolates without bubbling over in this tale of opposites attracting, but it's a top-drawer production anyway, blessed by Jack Cardiff's gorgeous Technicolor cinematography and by the charm of costars who successfully concealed their off-screen anxieties. --Jeff ...  (less)

Donahue start out as a duo and keep adding kids to the act until they finally become The 5 Donahues. Their busy, sometimes tumultuous lives aren't always easy, but the Donahues have plenty of love to get them through the hard times and more than enough talent to keep them on top. Highlighted by one classic Irving Berlin song after another and an array of dazzling production numbers, this upbeat, utterly delightful tale of life on the stage proves, beyond and doubt, that There's No Business Like Show Business!  (less)

faux Marilyn Monroe (“Ricky’s Movie Offer”) to TV-hostess-in-a-potato-sack (“Mr. &TV Show”). In Hollywood, our favorite redhead sets fire to her nose (“L.A. at Last”), struggles in her big movie scene and bigger headdress (“Lucy Gets in Pictures”), dangles from a movie star’s penthouse balcony (“The Star Upstairs”) and even goes one-on-one with one of the Marx Brothers (“Harpo Marx”). Come on and join in all the fun, along with guest stars William Holden, Van Johnson, Rock Hudson, Richard Widmark, Harpo Marx, Tennessee Ernie Ford, Teensy & Weensy—and more!  (less)

short films, and released in theaters in 1952 as a collection--an experiment in adapting short stories as simple short films, not padded out to theatrical lengths. The collection features a stable of 20th Century Fox’s top contract players, including Anne Baxter, Richard Widmark, Farley Granger, and a dewy-cheeked Marilyn Monroe, and five topnotch directors including Henry Hathaway and Howard Hawks. The five stories include O. Henry’s signature tale of grace and selflessness, "The Gift of the Magi," as well as "The Cop and the Anthem" (in which a hobo literally can’t get himself arrested); "The Clarion Call" (a noirish crime mystery with loads of side-of-the-mouth cracks, like calling a guy "You clamhead!"); "The Last Leaf" (with a radiant Baxter and Jea...  (less)