natural lyricism and boasting an attack as clean as a whistle. Both works are blessed with gorgeous orchestration although its essence is habitually under-explored in most recordings. But not with David Zinman and his characterful Zurich players who relish the dialogues between wind and trumpet in the Hummel and an unforced transparency of strings in the Haydn, as well as delighting in lively and unpredictable articulation. It really is a testament to how a vigorous imagination can still render old warhorses afresh. Brass specialists will also enjoy the original E major key of the Hummel (unrecognised in the documentation) which makes sense of the irradiating textures...Bertoncello’s legato playing is truly melting and...  (less)

in A. Largo 10. Wagenseil. Concerto in A. Allegro moderato 11. Tarakanov. Concerto. Moderato 12. Tarakanov. Concerto. Andantino con moto 13. Tarakanov. Concerto. Allegro con fuoco.  (less)

work systematically and with accompaniment at different tempi. The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes, with the solo instrument heard softly in the background at a slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo. All versions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a Dowani edition!  (less)