Francisco Bay (Version 2); Bay of Mexico; Someday Baby; Ja-Da; Stackolee; Two Hoboes', and a studio version of 'One Quick Martini'. Plus, the unreleased 'It Makes a Long Time Man Feel Bad' and 'San Francisco Bay (Version 1)', the unreleased (except for on a long out-of-print compilation) 'Mary Wore Three Links of Chain; I May Be Right', and 'Greenland Whale Fisheries', and the single 'Rag Mama.'  (less)

Includes three bonus tracks, 'Cotton Fields', 'You Can Tell the World', & 'Old Dog Blue'. A 'Collectors' Choice Music' release!  (less)

Position and Insinuation.  (less)

my perceptions." The Delaware native serves up 12 songs, which he either wrote or co-wrote, based on his observations of life in Los Angeles. Like F. Scott Fitzgerald, who chronicled the golden era of Hollywood's Jazz Age in the 1920's, Islam spins engaging yarns about the denizens of La La Land: the upstarts, the scions of the celebrated, the fallen stars, and, on a more personal note, the quest for love in a transient culture with a diminished attention span. Once again working with Edward Tree ("a producer's best friend"), Islam has recorded in analog to capture a warm, organic sound for his hybrid of country, rock, and folk. For the sessions, Islam & Tree assembled veritable legends, who, between them, have recorded and/or to...  (less)

were the lowest he'd ever experienced in his entire career. By the early '90s, he was without a label for the first time in four decades. Longtime fan, label owner and producer Rick Rubin stepped in, asked Johnny to return to his roots and together, they re-created the legend of the Man In Black. Features Cash performing his own compositions as well as songs from Loudon Wainwright, Leonard Cohen, Nick Lowe, Tom Waits and Glenn Danzig. American Recordings earned Johnny a 1995 Grammy Award for Best Contemporary Folk Album. A stunning return to form. Warner.  (less)

of ethnographic material in the world. It includes more than 5,000 hours of sound recordings, 400,000 feet of motion picture film, hundreds of photographic prints and negatives, over 120 linear feet of correspondence, field notes, research files, and much more. While recording for the Library of Congress in the 1930s, Lomax made trips to Haiti and the Bahamas. The recordings made in Haiti in 1936 37 provide a window on Haitian expressive culture recorded soon after the departure of the American Marines, while Haiti was in the throes of a nationalist and africentric movement. This groundbreaking production of the story, the sounds, and the sights of the legendary musicologist s trip to Haiti features 10 CDs, two books containing extensive notes and Lomax s journal, a replica...  (less)

but with better sound than the three disc box set, Jefferson Airplane Loves You , this 32 track compilation covers the band’s seven albums and two live offerings, giving nearly equal time to all. Not held in as high esteem as their Bay Area compatriots the Grateful Dead, the Airplane successfully combined Marty Balin’s expressive voice on such lovely folk-tinged love songs as "Comin' Back to Me," the apocalyptic visions of "Wooden Ships" (co-written by the Airplane’s Paul Kantner with David Crosby and Stephen Stills), the edgy, psychedelia of "The Ballad of You and Me and Pooneil" and the politically charged rallying cry of "Volunteers." Singer Grace Slick provided a photogenic focal point and dynamic int...  (less)

foaming midget horses. These are the 12 songs first heard on the self-titled EP released by Perishable/Flydaddy in 1998 and on the other self-titled EP released on Road Cone in 2000. Now that both releases are out of print, it's time to make Califone's early music - plus two bonus tracks - available again. It's uniquely American folk churned up by noisy machines, with damnation and redemption unearthed in equal measure. Califone's music makes implicit sense even as their cavalcade of circus freaks throw reason out the window. Tim Rutili's sleepy-eyed vocals luxuriously drape stark guitar figures; live and programmed percussion leans into the dreamy haze of an electric piano; layers of loops and subconscious transmissions echo the heady disorientation you feel ...  (less)

charts smash with the title track "All I Need" For some odd reason, the album was never officially released on compact disc in North America, and to the dismay of his huge fan base, the album itself has been out of print for over a decade. That is until now! The nice folks at Friday Music are finally issuing the fine "All I Need" album for the first time ever on compact disc in the good old U.S.A. This time around, you get a wonderful remastering by the award winning Joe Reagoso, as well as incredible new liner notes from the superstar producer/ songwriter and original co-producer of this album Glen Ballard ( Alanis Morissette, Chicago, Aerosmith) This album is filled with 10 incredible performances from Jack including the #1 title track, the fol...  (less)

made in New Orleans in the 1960s, is one of black gospel music's secret relics. Those recordings were unearthed and a limted number of copies were released to unaniomous and widespread critical acclaim in 2003. Out of print since 2004, the recordings have been remastered and repackaged (with extensive liner notes, artwork and more) and is available worldwide for the first time.  (less)

for years, this one's regarded as an absolute classic of the 'progressive bluegrass' genre, featuring Peter's signature tune 'Midnight-Moonlight' as well as such tasty folk and country-rockin' numbers as 'Take It As It Comes; Me Loving You; Old Silver; Thunder on the Mountain; Beggar in Blue Jeans; Do Right; Man-Woman; Pieces on the Ground' and 'Here Today-Gone Tomorrow'. New notes are added to the original artwort. Collectors' Choice Music.  (less)

stark contrast to the orderly mysticism conveyed on the front of her previous release, DAYS OF OPEN HAND. Producer MitchellFroom surrounds her strong songs with surprises in instrumentation, arrangement, and mix. The set opens smartly with a couple of selections that stand in stark contrast to the more traditional folk bearing of her previous output. By the third song, "In Liverpool", things break open to reveal a lushand popish heart. The title song is a dazzling groove of fuzzy and staccato guitar chords cast over layered percussion and her lilting vocal. An array of superb players, includingdrummer Jerry Marotta, guitarists David Hidalgo and RichardThompson, and bass player Bruce Thomas accompany her. While it represented a bit of an unexp...  (less)

he has found his own bold and compelling songwriting voice. After being screwed around by major labels for the better part of the 1990s, Nelson finally emerged in 1998 with the provocative Last Hurrah , a record that is edgy and brassy yet oddly soothing. His musical settings range from Stones-like jangle and swagger to warm acoustic strumming, but they are merely springboards for his world-weary lyrics. In the end, what comes across is a man who's been beaten down (by the world and by his own behavior) yet finds beauty in the cycle of it all. Nelson is part quick-witted poet, part depraved miscreant--in short, just your typical Austin musician. --Marc Greilsamer  (less)