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 | Kids! I don't know what's wrong with these kids today! Bye Bye Birdie has been an audience favorite year after year. In this musical theatre classic, the ever-growing generation gap provides plenty of humorous moments for performers and audience members.Available separately: SATB, SAB, 2-Part, Instrumental ePak (parts for Flute, Soprano Sax, Trumpet I & II, Tenor Sax, Trombone, Guitar, Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:00 (less)HL | $25 See Itamazon.com |
| | Kids! I don't know what's wrong with these kids today! Bye Bye Birdie has been an audience favorite year after year. In this musical theatre classic, the ever-growing generation gap provides plenty of humorous moments for performers and audience members.Available separately: SATB, SAB, 2-Part, Instrumental ePak (parts for Flute, Soprano Sax, Trumpet I & II, Tenor Sax, Trombone, Guitar, Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:00 (less)HL | $2 See Itamazon.com |
| | Kids! I don't know what's wrong with these kids today! Bye Bye Birdie has been an audience favorite year after year. In this musical theatre classic, the ever-growing generation gap provides plenty of humorous moments for performers and audience members.Available separately: SATB, SAB, 2-Part, Instrumental ePak (parts for Flute, Soprano Sax, Trumpet I & II, Tenor Sax, Trombone, Guitar, Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:00 (less)HL | $2 See Itamazon.com |
|  | Kids! I don't know what's wrong with these kids today! Bye Bye Birdie has been an audience favorite year after year. In this musical theatre classic, the ever-growing generation gap provides plenty of humorous moments for performers and audience members.Available separately: SATB, SAB, 2-Part, Instrumental ePak (parts for Flute, Soprano Sax, Trumpet I & II, Tenor Sax, Trombone, Guitar, Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:00 (less)HL | $2 See Itamazon.com |
|  | “Kids Dig Jazz – Volume One”, the latest CD by pianist, John Cassel, one of Vermont’s most versatile and well known jazz artists. This work is an experiment in diversity: kids singing like kids along with jazz musicians playing straight ahead. Two days after a session at West Street Digital accompanying seven year old Chloe Lemmel-May singing “Twinkle Twinkle Little Star” Bobby Militello was on stage playing alto sax with Dave Brubeck. How diverse is that! The musical power house of studio musicians on this CD includes Bobby Militello on sax and flute, Dave Ellis on trumpet, George Voland on trombone, Rich Davidian on tenor sax, Paul Asbell, guitar, William Galison on chromatic harp, Will Patton on bass, and Steve Wienert on drums and the delightful Re-bop Singers. The CD opens with John’s arrangement of “Charlie Brown’s Theme/Do-Re-Mi” then switches gears with an original tune, “Swing”, and its easy appealing lyrics, flute solo and perfect blend o... (less)Artist: John Cassel | $10 - $15 Compare2 Merchants |
|  | Sean Bergin, Alto / Tenor; Michael Moore, Alto / Clarinet; Jan Willem van Der Ham, Alto / Bassoon; Alex Maguire, Piano; Ernst Reijsiger, Cello; Tristan Honsinger, Cello; Wolter Wierbos, Trombone; Eric Boeren, Trumpet; Ernst Glerum, Bass; Han Bennink, Drums 1. Purtles (Sean Bergin) 3:49; 2. Ice Cream Man (S. Bergin) 4:49; 3. Poor Poise (S. Bergin) 5:09; 4. Tea and Scones (S. Bergin) 5:36; 5. Monkey Women (S. Bergin) 7:18; 6. Thoko's Tune (S. Bergin) 7:24; 7. Beach Balls (S. Bergin) 7:58; 8. Kids-Trainride (S. Bergin) 17:04 (less)Nimbus | $30 See Itamazon.com |
|  | For his second release on his own label, nine-time Grammy nominee (he won in 1999, for Callin' Rastafari ) Burning Spear has fashioned a fiercely committed yet relaxed blend of topical observations, Rasta orisons and Marcus Garvey-inflected avowals of positive resistance and self-reliance. Born Winston Rodney in St. Ann, Jamaica, his career began more than 35 years ago when a chance encounter with Bob Marley inspired him to visit the legendary Studio One. This time out, his sound is typically rootsy and deceptively uncomplicated-- percussive, bass-heavy, layered with percolating guitars, searing brass (including a tasty sloppy-lip trombone on Friends ) and crooning female choirs. O¹Rastaman , a dub-laced extended mix packing a rhythmic thrust somewhere between Marley's Exodus and War's Cisco Kid , is 7-minutes-plus of sheer dance floor heaven. Fronted by the bandleader's understated tenor and confident masculinity, the set's overall vibe could and probably will be referred to as "c... (less)Artist: Burning Spear | $9 - $16 Compare7 Merchants |
|  | For his second release on his own label, nine-time Grammy nominee (he won in 1999, for Callin' Rastafari ) Burning Spear has fashioned a fiercely committed yet relaxed blend of topical observations, Rasta orisons and Marcus Garvey-inflected avowals of positive resistance and self-reliance. Born Winston Rodney in St. Ann, Jamaica, his career began more than 35 years ago when a chance encounter with Bob Marley inspired him to visit the legendary Studio One. This time out, his sound is typically rootsy and deceptively uncomplicated-- percussive, bass-heavy, layered with percolating guitars, searing brass (including a tasty sloppy-lip trombone on Friends ) and crooning female choirs. O¹Rastaman , a dub-laced extended mix packing a rhythmic thrust somewhere between Marley's Exodus and War's Cisco Kid , is 7-minutes-plus of sheer dance floor heaven. Fronted by the bandleader's understated tenor and confident masculinity, the set's overall vibe could and probably will be referred to as "c... (less) | $44 See Itamazon.com |
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